Agent Peggy Carter (
straightshooter) wrote2014-06-28 03:35 pm
Entry tags:
winter carter } { the danger is i'm dangerous and i might just tear you apart
SHIELD Director Margaret Carter was killed in the line of duty on April 7, 1950.
Or at least that's how it was reported.
It was a terribly tragic affair. The car went up like fireworks on the fourth of July, and it was so destroyed that any chance of finding let alone identifying the remains was out of the question, but there's no way she could have survived. Howard mourned her, the world mourned her, and for all intents and purposes, one of America's top intelligence assets was dead.
It would take seventy years and a series of incredibly effective military assaults for anyone to realize that that unassailable truth was wrong, and by then it might as well be the truth because Peggy Carter as they know it is gone. The person who's left behind isn't really a person at all - she's a weapon of war, something unbelievably sharp more like a sword than a blunt instrument. She's precise and surgical, and a deadly shot and most of the world believes she's a man for so long that it's possible she even believes it.
Except for the rare moments of clarity when she doesn't.
It's in one of those moments that she pulls Captain America from the Potomac. He calls her his best girl and there's a moment where it tugs at something inside of her, something unraveling and releasing a shower of something inside of her that she doesn't understand. All those years in the cold, feeling nothing, caring about nothing and there's something about this man, this target, this body she should just leave to complete her mission that makes her want to act against orders.
She tried to tell Pierce that she knew him. Every moment she has with him only confirms that more and more. So when he falls to the water, bleeding, knowing that he would probably drown and her mission would be completed, she deviates dragging him up out of the water to the shore.
She can't leave him there, however. Can't simply let things lie. She steals a car, shoves him none-to-gently into the back seat, and drives. She can steal the supplies from a local hospital, take him back to one of the appointed safe houses, and do the medical treatment herself.
And maybe when he's conscious again, she can question him and find out why he keeps calling her "Peggy."
Or at least that's how it was reported.
It was a terribly tragic affair. The car went up like fireworks on the fourth of July, and it was so destroyed that any chance of finding let alone identifying the remains was out of the question, but there's no way she could have survived. Howard mourned her, the world mourned her, and for all intents and purposes, one of America's top intelligence assets was dead.
It would take seventy years and a series of incredibly effective military assaults for anyone to realize that that unassailable truth was wrong, and by then it might as well be the truth because Peggy Carter as they know it is gone. The person who's left behind isn't really a person at all - she's a weapon of war, something unbelievably sharp more like a sword than a blunt instrument. She's precise and surgical, and a deadly shot and most of the world believes she's a man for so long that it's possible she even believes it.
Except for the rare moments of clarity when she doesn't.
It's in one of those moments that she pulls Captain America from the Potomac. He calls her his best girl and there's a moment where it tugs at something inside of her, something unraveling and releasing a shower of something inside of her that she doesn't understand. All those years in the cold, feeling nothing, caring about nothing and there's something about this man, this target, this body she should just leave to complete her mission that makes her want to act against orders.
She tried to tell Pierce that she knew him. Every moment she has with him only confirms that more and more. So when he falls to the water, bleeding, knowing that he would probably drown and her mission would be completed, she deviates dragging him up out of the water to the shore.
She can't leave him there, however. Can't simply let things lie. She steals a car, shoves him none-to-gently into the back seat, and drives. She can steal the supplies from a local hospital, take him back to one of the appointed safe houses, and do the medical treatment herself.
And maybe when he's conscious again, she can question him and find out why he keeps calling her "Peggy."

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That is most she will get out for at least a day. When he does eventually come to he opens his eyes as it if it's the most challenging thing in the world after turning his head. He tries look around despite one of his eyes being badly swollen still and asks, "Where...?" Steve's not sure what he wants to know exactly. His head is too cloudy. It might have something to do with the amount of times he's been hit in the head in the past forty-eight hours.
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Her voice doesn't even have her usual clipped British accent. With her identity went everything that identified her as a person, and those that conditioned her had an American or Russian accent. She makes her way closer so that he can see her and not have to move too much.
"You lost a great deal of blood. You should be resting."
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Good luck getting him to sleep again short of drugging him.
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Her eyes narrow as she glances over to him, studying his face as she tried to infer the meaning behind his words. There's an emotional weight to them, one that she doesn't entirely understand and she doesn't want to respond until does. However, they don't have the time for that - she wants the answers more.
"I recovered an asset." She glances away after that, checking his vitals to make sure he wasn't over-stressing himself. He's no good to her if he becomes unresponsive. "You were no good to me dead."
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But she does. She has questions that need answering, information that can only be provided by him, and she's not willing to let him go yet. She may still eliminate him when the time comes, but not until he's filled in the blanks.
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"So what good am I to you like this, Peggy? Aside from friendly company."
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Then he calls her that name again, and she tenses, fingers gripping his wrist a little too tightly as she checks his pulse.
"Who is Peggy?"
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He smiles wistfully. This is actually making him a little tired so forgive him if he loses his train of thought. "You still owe me that dance."
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It's that last sentence that jolts something inside of her. An intense sadness and a flash of an old console with a microphone. Her cheeks are wet and her voice is shaking as she speaks.
The Stork Club, eight o'clock. And don't you dare be late.
She won't realize until after the fact that she may have said that out loud.
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"Stop calling me that."
Peggy. Even if he says she's this person, she's conscious enough to realize that right now, she's not. And him expecting her to be isn't going to go any better.
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"I don't want you to call me anything." She takes a breath regains herself, and turns to face him. "I just want you to answer my questions."
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"What does that matter?"
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He releases a tired sigh. "That's not how I feel so don't try to make me do that. I won't so either you give me something to work with here or else I'll be forced to go back to sleep."
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Peggy is an unacceptable cover, but she doesn't know what to give him in return. She hasn't been given enough information to form one.
"If you're tired you should sleep." Wearing himself out is no good, and it will give her time to form an appropriate answer. "Your body needs the rest to heal. We can resume when you wake up."
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"Fine. I'll do it."
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Maybe he'll have something useful in the morning.
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(To be fair, hers will probably be worse.)
It's when he starts to move that she stops him, one hand coming and planting itself in the middle of his chest, pushing him back down against the gurney so that he doesn't hurt himself more.
"You need to rest."
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"Sorry." That wasn't what they agreed on. What did they agree on again? It's fuzzy to him. Steve manages a soft chuckle a moment later as something else occurs to him. "You ever going to get tired of telling me to rest? I'm a terrible patient."
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"Would you rather bleed to death?"
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"Nothing that won't heal."
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"We can talk."
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He smiles as best he can. Humor him, please? He promises there is a point to this even if it doesn't quite serve her agenda. "Steve Rogers. I'm a veteran, an Avenger, and I'm kind of unemployed at the moment since I destroyed my place of work." He tilts his head to the side. What can do you? It was evil. "I used to be an artist. More of a side job really back in the day, but I don't know. Maybe I'll get back into it since no one in their right mind would let me serve under them again." He says with good humor. "What about you?"
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She doesn't even know if she has a response to his question beyond the obvious one.
"I'm a soldier."
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"Whatever they tell me to."
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That's a lie. She knows it's a lie as she says it. She wants to know who he is to her. She wants to know why she feels the need to keep him here, to keep speaking with him. She wants to know why he wants her. She wants to know what these flashes of him mean, because she can't make sense of them.
"I just need a mission."